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Welcome to Kicking the Seat!

Ian Simmons launched Kicking the Seat in 2009, one week after seeing Nora Ephron’s Julie & Julia. His wife proposed blogging as a healthier outlet for his anger than red-faced, twenty-minute tirades (Ian is no longer allowed to drive home from the movies).

The Kicking the Seat Podcast followed three years later and, despite its “undiscovered gem” status, Ian thoroughly enjoys hosting film critic discussions, creating themed shows, and interviewing such luminaries as Gaspar NoéRachel BrosnahanAmy Seimetz, and Richard Dreyfuss.

Ian is a member of the Chicago Film Critics Association. He also has a family, a day job, and conflicted feelings about referring to himself in the third person.

The Assignment (2016)

One cannot be blamed for writing off Walter Hill's The Assignment (or turning it off, for that matter). The iconic director of grimy 80s action flicks like 48 Hrs and Streets of Fire shaped this thing for decades, and has finally unleashed his ugly, ill-conceived Sin City knock-off about a psychotic plastic surgeon who commits non-consensual gender-reassignment surgery on the hitman who killed her brother. Aside from the top-notch cast (no doubt Sigourney Weaver, Michelle Rodriguez, and Tony Shaloub bought matching pools with their paychecks) and authentic, old-school aesthetics, the film implodes on its own footprint at every turn. The action is lame; the motivations are (poorly) explained far too late through marathon expository dialogue; and the male-to-female conceit fails so thoroughly that it begs comparisons to Tommy Wiseau’s The Room. At least that film was fun. The Assignment is cinema Sudoku, a head-hurting, WTF mystery to be solved—not celebrated.

Listen to Kicking the Seat Podcast #213 to hear Ian and Keeping it Reel's David Fowlie grade Walter Hill's Assignment!

Female Trouble (1974)

The Ticket (2016)