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Welcome to Kicking the Seat!

Ian Simmons launched Kicking the Seat in 2009, one week after seeing Nora Ephron’s Julie & Julia. His wife proposed blogging as a healthier outlet for his anger than red-faced, twenty-minute tirades (Ian is no longer allowed to drive home from the movies).

The Kicking the Seat Podcast followed three years later and, despite its “undiscovered gem” status, Ian thoroughly enjoys hosting film critic discussions, creating themed shows, and interviewing such luminaries as Gaspar NoéRachel BrosnahanAmy Seimetz, and Richard Dreyfuss.

Ian is a member of the Chicago Film Critics Association. He also has a family, a day job, and conflicted feelings about referring to himself in the third person.

Ep640: WATERMELON MAN - Movie Review

Ep640: WATERMELON MAN - Movie Review

Ian and Pat look at one of the earliest and most controversial "body swap" movies: 1970's Watermelon Man!

Melvin Van Peebles' cutting social satire finds Jeff Gerber, a racist white suburban dad played by Godfrey Cambridge, waking up one morning to discover that he's turned black.

The guys examine the film's successes and shortfalls as a comedy; the context in which it was released versus how it holds up today; and the behind-the-scenes tensions that led to very ideologies competing for screen time.

Also, Pat hatches a plan to be the first certified film critic to review Watermelon Man for Rotten Tomatoes!

Note: This conversation was recorded several days before Coca-Cola's controversial "Be Less White" corporate training became headline news--which is why you won't see it discussed here. However, the questions of identity and culture that have arisen in the aftermath of that story are very relevant to Watermelon Man, and to Ian and Pat's commentary.

Show Links:

Ep641: THE LONG GOODBYE: An Interview with Director Heidi Neff

Ep641: THE LONG GOODBYE: An Interview with Director Heidi Neff

Ep639: Hammerland: HORROR OF DRACULA and THE REVENGE OF FRANKENSTEIN

Ep639: Hammerland: HORROR OF DRACULA and THE REVENGE OF FRANKENSTEIN