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Welcome to Kicking the Seat!

Ian Simmons launched Kicking the Seat in 2009, one week after seeing Nora Ephron’s Julie & Julia. His wife proposed blogging as a healthier outlet for his anger than red-faced, twenty-minute tirades (Ian is no longer allowed to drive home from the movies).

The Kicking the Seat Podcast followed three years later and, despite its “undiscovered gem” status, Ian thoroughly enjoys hosting film critic discussions, creating themed shows, and interviewing such luminaries as Gaspar NoéRachel BrosnahanAmy Seimetz, and Richard Dreyfuss.

Ian is a member of the Chicago Film Critics Association. He also has a family, a day job, and conflicted feelings about referring to himself in the third person.

Cloudy with a Chance of Meatballs, 2009 (Home Video Review)

Three-Deeeeeeeee! 

Note: Kicking the Seat isn’t just a movie review blog; it’s also a place where I can share cool, movie-related things that happen to me. Take, for instance, the following letter, which I received yesterday via Certified Mail.

 

It’s a response to a blind query I sent to the MPAA recently, after having watched Cloudy with a Chance of Meatballs. To my amazement, the suits in Hollywood actually listened to me and now…well, just read and see for yourself.

 

If you’ve ever wondered whether or not letter writing can change anything, allow me to make a believer out of you.

May 25, 2010

Dear Mr. Simmons,

Thank you for your very passionate letter regarding Cloudy with a Chance of Meatballs.

My staff and I have received thousands of like-minded letters, e-mails and phone calls on the film; many echoing your request for a new MPAA rating to denote movies that are appropriate only for children. Of particular resonance were your points that Meatballs featured:

“A near constant state of frenzy, punctuated by animated characters who zip around the screen on sugar highs well before they devour city-sized cupcakes.”

“Tired animation tropes from forty years ago, and two blatant, un-credited nods to Pixar’s superior, adult-friendly Up (the device that translates an animal’s thoughts into cute, catch non-sequitors, and a scene involving a really important device getting sucked/dropped into the sky).”

“A story arc so old and characters so un-engaging as to force anyone over the age of eighteen to play ‘Spot the Voice Actor’ just to get out of the movie alive.”

I’m writing to inform you that the MPAA has just announced plans for the new “GA” rating. Set to debut next year, this new rating will let adult audience members know that the movie they are about to watch will engage them on either an intellectual or emotional level (preferably both). It will also help them to discern which films are worth seeing in a movie theatre, and which ones can be saved for Netflix—where they can pause and resume them at will, or be occupied elsewhere altogether.

A key aspect of GA-rated movies will be strict enforcement of standards for celebrity voice actors. Any performer deemed distractingly recognizable to adults—except in instances where their on-screen avatar is supposed to represent the actual actor—will be banned from earning an “easy” paycheck in "GA" pictures.

Your criticism of Meatballs’ Mr. Lockwood character actually inspired the corresponding “Gandolfini/Caan Sub-Policy”, which states that no celebrity can do voice work that is too similar to that of another celebrity (Monsters, Inc. drew similar complaints in 2002 when people confused Billy Crystal’s voice with that of Nathan Lane).

The “G” rating will still be in place, and will denote fare suitable only for children. You’ll be happy to know that 3-D films will not carry the “GA” rating, as our board has found the major studios incapable of using 3-D technology in children’s films in ways that do not involve characters or objects running at the screen for no reason other than to stimulate the basest regions of the mind. While moderately effective in theatres that support the 3-D technology, our studies have found the 2-D home viewing experience to be frustrating and annoying for adults.

In closing, I’d like to apologize for your disappointment in Cloudy with a Chance of Meatballs. Your remarks about wishing that you were eight years old so that you could find it amusing struck a chord with everyone here at Ratings. I hope that the "GA" standard will spare you another ninety minutes of grueling boredom.

Thank you again for your concern, and have a nice day.

Sincerely,

Fasel Baumquist
Senior Ratings Consultant
The Motion Picture Association of America
3975 Wilshire Blvd.
Los Angeles, CA 90010
fasbook@mpaa.org

Sex and the City 2 (2010)

Thirst, 2009 (Home Video Review)